BELTON Disc – Cello Acoustic Stopper

• Franco Petracchi

  Double bass soloist - Roma, Italy

  The FASTER Artica 500 Titanium endpin, designed and developed by maestro José María Lozano, represents an innovative contribution to the double bass acoustics.

  I have installed this endpin in my 1765 Alessandro Gagliano and Gaetano Rossi double basses, and, as a result, I have obtained a broader presence of harmonics, a more open sound, and the elimination of flaws in some of the emissions.

  Thank you very much for such valuable innovation.

• Enrico Dindo

  Double bass soloist - Roma, Italy

  Dear José María, I have tried the FASTER Artica 600 cello endpin, and I like it very, very much! It is still on my cello!

  My sensation is of more sweetness under my left fingers and faster string response under my bow. In the end, more colors, more sound projection.

  I will show it to all my students and fellow cellists!

  Congratulations, and thank you!

• Thierry Barbé

  Principal double bassist - Orchestre de l’Opéra de Paris. Paris, France

  Dear José María, thank you again for your great ideas. I am very enthusiastic about your products.
  Many thanks for your astounding innovations! Your researches and realizations truly improve the sound release in my double bass. The FASTER Artica 500 Titanium endpin is excellent because it makes the flow of sound more fluid, and the BELTON Mini and BELTON SOLO passive amplifier models make a huge difference as well. We have here two improvement assets, easy to carry anywhere, totally worth it.

• Adolfo Gutiérrez

  Cello soloist - Madrid, Spain

  I have long been using Maestro Lozano’s FASTER and BELTON models, as well as some other of his acoustics-related creations. I must admit that my cello’s performance has exponentially improved, both in concert halls as a soloist with orchestra and chamber music.
  The audience is sure to perceive an increase in the volume, projection, and richness of the sound, and, at the same time, the sound response the musician gets will help him feel at ease in any venue.
  For me, these have indeed been a great find that accompanies me in all my concerts and makes a quick adaptation to constant weather and acoustic changes on tour easier.
  Without hesitation, I recommend these astounding acoustic systems anywhere I go.

• Pablo Saraví

  Concertmaster – Orquesta Filarmónica de Buenos Aires. Teatro Colón. Argentina

  I have installed the FASTER Titanium in two of my most valuable instruments, a violin, and a viola. Not only have I noticed a neat acoustic response, which was already very good, but it has also enhanced both instruments’ virtues. A richer sound is noticeable, so are also resonant harmonics, ease of projection, and crystal-clear slurring and string crossing, even in fast passages. Besides, ranges in both instruments are better balanced, especially in high positions. Furthermore, the viola has lost a soft wolf tone that it usually had.
  Although I must confess that I am somewhat skeptical about innovations in a tradition that has spanned for four and a half centuries, I also have to admit that FASTER is something unique and a work of genius. Besides, its straightforward setup and lack of intrusion as to the structure or esthetics of the instrument, make it very trustworthy for the musicians.
  I, therefore, recommend, without hesitation, FASTER to all my fellow musicians. It’s something unique. Bravo, Maestro Lozano!

• Joan Planas

  Classical and baroque violin soloist & chamber musician - New York, USA.

  I am so happy! It is hard to explain what one experiences when, after a lifetime with the violin, you notice an immediate change thanks to the FASTER Titanium. It looks as though the violin had taken a 2-month vacation and returned with renewed energy. The violin seems pleased. So is the violinist.
  What changes have I noticed?

  – It sounds louder. All strings do. And far from being something negative, that is awesome and makes me very happy!
  – Ease of playing, especially when using the bow (even better in low strings on my violin).
  – The sound is cleaner, which helps with playing in tune since it is easier to notice when something is wrong with intonation. That is even more noticeable with double stops, especially on the G and D strings.
  – The timbre has not changed at all. On the contrary, I would say that FASTER has enhanced the global quality of the instrument.
  All these changes contribute to performing, in general, with more confidence, and therefore, in a more relaxing way. And consequently, playing is even more fun!
  What else can I tell you? THANK YOU. Honestly, I cannot express enough how happy I am, and also how excited about installing FASTER on my wife’s violins, so I can see her happy too!
  Thank you very much!

• Simon Vels

  Principal cellist - Orquesta Sinfónica de Madrid. Spain

  The FASTER endpin is the essential accompaniment to today’s musician. It improves to a great extent the main features of the instrument such as brightness, harmonic richness, bow response, and pressure resistance, thus giving any instrument new bounds. All of that requires less effort by the musician while obtaining more sound projection and loudness.

  Thanks to José María. The FASTER era begins.

• José M. Álvarez Losada

  Violin soloist - Mallorca, Spain

  José María Lozano’s FASTER sound system improve various sound parameters, like power, dynamic range, attack response, clarity, and timber richness. With a quick and easy setup, the FASTER Titanium for violin instantly produces an apparent increase in these qualities, which not only stays but grows as the musician adapts to the new possibilities that their instruments offer them. I recommend this product and congratulate José María for his outstanding talent in creating it!

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