Artica 500 - Titanium - Acoustic Endpin
FASTER Artica 500 Titanium Cello Acoustic Endpin is a high-performance cello endpin designed following complex parameters completely different from the acoustic cello endpins existing in the market. Its operation is based on diverse concepts of applied aerodynamics with which exceptional sound results have been obtained in concert halls, cello solo recitals, cello and piano recitals, chamber music and recordings.
The objective of FASTER Artica 500 Titanium and its main function is to eliminate part of the residual air that is constantly generated inside the cello and that, in turn, cannot be completely released from the resonance chamber through the f-holes, causing the incomplete production of harmonics.
FASTER Artica 500 Titanium Acoustic Endpin has been tested with excellent results on numerous fine cellos. It increases volume, harmonics production, sound projection, tone quality, ease of performance, and the lifetime of the strings. It also reduces or suppresses wolf tones and provides other nice features that will undoubtedly make your life easier, at least, when performing.
The relevant acoustic virtues of FASTER Artica 500 Titanium, its elegant and careful design, as well as the selection of exclusive materials and its high standard of manufacturing make this set an appreciated object of desire for any player. With FASTER Artica you will discover the new possibilities that your instrument offers to you.
Taxes / VAT and shiping not included.
SPECIFICATIONS
Total length: 520mm
Diameter: OD 10mm
Total weight: 77gr.
Capsule and tip set total weight: 10.4gr.
Hollow capsule: made of naval brass, with two perforations at an angle of 45° whose intersection forms a triangle that fulfills the role of air diffuser.
Hardened tungsten carbide tip: ready to be fixed on all surfaces. However, being a material almost as hard as diamond, it can fracture with a blow. Under normal use conditions, its performance will be effective for more than 15 years.
Titanium endpin tube: made of seamless aerospace titanium alloy and heat treated, constituted by a unidirectional carbon fiber inner core and by several carbon fiber compressors which act as air exchangers.
Cleaning: Clean with metal cleaners.
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Giovanni Battista Fabris
Concertmaster - Orchestra del Teatro Carlo Felice. Genova, Italy
I have the privilege of having been the first to try the FASTER Silver, created by José María Lozano.
The sound quality produced by the FASTER Silver is excellent. In addition to the FASTER Titanium features, caused by faster physical functioning and air movement inside the instrument, you can produce better dynamics.
The intensity that the sound acquires is physically perceptible in the hands so far that it becomes rather pleasant, as when making dough for bread. The ease of execution increases, and so does the emission rate. Doing better seems impossible, but you never know with him. The attainable bow attack is impressive. It produces many more harmonics. To sum up, as much as it may cost, given the results, it is a low price.
Bravo, José María
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Eduardo del Castillo
Violin Teacher – Guadalajara – Spain
My violins are equipped with FASTER Titanium and FASTER Silver. From the first moment, I was able to verify that my instruments had gained in projection and harmonic richness.
FASTER helps the musician to get a sound with less effort and with excellent results hitherto unknown. My most sincere congratulations to Maestro José María Lozano, for finding what he has always sought, “the excellence of sound”.
I recommend FASTER to all violinists. -
Javier Albarés
Principal cellist - Orquesta de Radio Televisión Española. Madrid, Spain
Dear José María, allow me to share with you my opinion about your FASTER Artica 600 Titanium and Silver cello endpins, a real discovery for me. Not only do they improve the production of harmonics in the instrument, but they also produce a considerable increase in loudness. The tone in my cello has become clean and beautiful, with astonishing clarity and sharpness. What the Artica cello endpin can accomplish is striking.
Congratulations on the thorough study of the sound quality of the instruments, and on your attention towards our instruments’ accessories, which far from staying mere accessories, they turn out to be indispensable music tools thanks to you. Thank you so much!
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Alberto Menchen
Concertmaster - Orchestre Philarmonique de Liège & WDR Sinfonieorchester Köln – Germany
I have installed the FASTER Titanium in three violins that date from 1663, 1850, and 2012. Thanks to this great invention, the sound qualities have improved in all of these instruments.
FASTER inspires me and helps me do more with less.
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Linus Roth
Violin soloist – Germany
Dear José María, thank you for the FASTER Titanium for my Stradivari violin.
It is a cool invention!
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Helena Poggio
Cello soloist - Quiroga Quartet - Professor of Chamber Music of the Royal Superior Conservatory of Music in Madrid
I am delighted with my new FASTER Artica titanium cello endpin and with the Belton Grafit cello end pin stopper. I feel how the vibrations of my instrument have increased in contact with my body, with the ground and around it. The harmonics have increased notably and my cello has a greater projection without losing its usual warmth, transmitting a round, clean and enveloping sound.
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Paçalin Zef Pavaci
Guest Concertmaster Philharmonia Orchestra – London. Concertmaster Teatro Real – Madrid., Maggio Musicale Fiorentino, Orquesta Nacional of Spain, Liceu – Barcelona, Guest Profesor Showa University – Tokio, San Carlo – Napoli, etc.
Dear friends and colleagues,
The first time they told me about Master Lozano’s FASTER Titanium, I was quite skeptical and incredulous. Now it is installed on two of my violins, one old and one modern. The change with the FASTER has been incredible with no less than 30% sound, projection, harmonics, tonal richness, and great playability.
José María I’m super happy with your genius . Thank you, thank you, thank you!.
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Roberto Mazzola
Violin teacher at the Integral Institute of Cogoleto - Liguria - Italy, Violinist of the Symphony Orchestra of the Carlo Felice Theater in Genoa – Italy
Dear Maestro, I wanted to tell you that Professor Fabbris had already put the Faster on my “Augusto Pollastri” from 1925 with excellent results!
Then after I had my Cremona luthier do the work of closing and reopening the button hole (because it was too big), he finally inserted the Faster into my second instrument as well (a 1917 “Serafino Casini” published in the book “La Grande Liuteria Italiana” by A.Versari), obtaining a much more homogeneous and powerful sound for this instrument too!
Thank you again for your wonderful invention and for your great work.
