Cone - Viola

• Alberto Menchen

  Concertmaster - Orchestre Philarmonique de Liège & WDR Sinfonieorchester Köln – Germany

  I have installed the FASTER Titanium in three violins that date from 1663, 1850, and 2012. Thanks to this great invention, the sound qualities have improved in all of these instruments.

  FASTER inspires me and helps me do more with less.

• Linus Roth.

  Violin soloist – Germany

  Dear José María, thank you for the FASTER Titanium for my Stradivari violin.

  It is a cool invention!

• Helena Poggio

  Cello soloist - Quiroga Quartet - Professor of Chamber Music of the Royal Superior Conservatory of Music in Madrid

  I am delighted with my new FASTER Artica titanium cello endpin and with the Belton Grafit cello end pin stopper. I feel how the vibrations of my instrument have increased in contact with my body, with the ground and around it. The harmonics have increased notably and my cello has a greater projection without losing its usual warmth, transmitting a round, clean and enveloping sound.

• Paçalin Zef Pavaci

  Guest Concertmaster Philharmonia Orchestra – London. Concertmaster Teatro Real – Madrid., Maggio Musicale Fiorentino, Orquesta Nacional of Spain, Liceu – Barcelona, Guest Profesor Showa University – Tokio, San Carlo – Napoli, etc.

  Dear friends and colleagues,

  The first time they told me about Master Lozano’s FASTER Titanium, I was quite skeptical and incredulous. Now it is installed on two of my violins, one old and one modern. The change with the FASTER has been incredible with no less than 30% sound, projection, harmonics, tonal richness, and great playability.

  José María I’m super happy with your genius . Thank you, thank you, thank you!.

• Roberto Mazzola

  Violin teacher at the Integral Institute of Cogoleto - Liguria - Italy Violinist of the Symphony Orchestra of the Carlo Felice Theater in Genoa – Italy

  Dear Maestro, I wanted to tell you that Professor Fabbris had already put the Faster on my “Augusto Pollastri” from 1925 with excellent results!

  Then after I had my Cremona luthier do the work of closing and reopening the button hole (because it was too big), he finally inserted the Faster into my second instrument as well (a 1917 “Serafino Casini” published in the book “La Grande Liuteria Italiana” by A.Versari), obtaining a much more homogeneous and powerful sound for this instrument too!

  Thank you again for your wonderful invention and for your great work.

• Ana Maria Valderrama

  Violin soloist – Madrid – Spain

  I have been pleasantly surprised by the FASTER Silver. My violin sounds clearly cleaner and rounder, and I find it much easier to play. I can achieve the same effects as before with much less effort, and it helps me find greater sonic freedom. In addition, the harmonics sound clearer, which translates into greater projection. A great discovery!

• Mirka Scepanovic

  Violin soloist – Concertmaster of the Sinfonietta Basel and Camerata Variabile (Basel). Artistic and Musical Director of the National Orchestra of Montenegro.

  My first meeting with Mr. Jose Maria Lozano was a unique experience in the best possible way. He opened me the door to the world of new sound options and I believe this is only the first step in the search for an amazing sound quality.

  I can only recommend his FASTER Sound Systems for violin, so please try it and let yourself begin a new journey with your instrument. Sincerely,

• Silvina Álvarez

  Principal violist – Orquesta Nacional de España - Madrid

  My experience with the Viola FASTER Titanium is always highly satisfactory.

  I consider that the gain in resonance, in tone, in volume, harmonics and consistency in the sound, makes it an absolutely innovative accessory and to take into account when setting up an instrument, of course by the hand of a master luthier of the quality of José María Lozano.

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