Dorna 600 - Titanium - Acoustic End pin
Enveloping Sound
FASTER Dorna 600 Titanium Acoustic Endpin is a high-performance cello endpin that produces excellent enveloping sound quality and designed following complex parameters completely different from the acoustic cello endpins existing in the market. Its operation is based on diverse concepts of applied aerodynamics with which exceptional sound results have been obtained in concert halls, cello solo recitals, cello and piano recitals, chamber music and recordings.
FASTER’s acoustic end pins are made, assembled, and calibrated by hand. This process requires six hours of highly specialized craftsmanship to deliver exceptional acoustic results.
The objective of FASTER Dorna and its main function is to eliminate part of the residual air that is constantly generated inside the cello and that, in turn, cannot be completely released from the resonance chamber through the f-holes, causing the incomplete production of harmonics.
FASTER Dorna Titanium Endpin has been tested with excellent results on numerous fine cellos. It increases volume, harmonics production, sound projection, tone quality, ease of performance, and the lifetime of the strings. It also, in most cases it reduces wolf tones and in specific cases it helps to eliminate it, and provides other nice features that will undoubtedly make your life easier, at least, when performing.
The relevant acoustic virtues of FASTER Dorna 600 Titanium Acoustic Endpin , its elegant and careful design, as well as the selection of exclusive materials and its high standard of manufacturing make this set an appreciated object of desire for any player. With FASTER Dorna you will discover the new possibilities that your instrument offers to you.
Taxes / VAT and shipping not included
TECHNICAL CHARACTERISTICS
Total length & weight: 62cm – 227 ( ±2 ) gr. Tube diameter: OD 10mm
Hollow capsule: made of naval brass, with two perforations at an angle of 45° whose
intersectionforms a triangle that fulfills the role of air diffuser.
Over time, the hollow capsule will lose its shine and color due to contact with hands and air. To restore its original condition, it is necessary to polish it with a metal cleaner.
Hardened tungsten carbide tip: ready to be fixed on all surfaces. However, being a material
almost as hard as diamond, it can fracture with a blow. Under normal use conditions, its performance will be effective for many years.
Titanium endpin tube: manufactured aerospace titanium, constituted by a 49cm cooper
alloy inner core and by three 49cm copper capillary tubes which act as air exchanger compressors.
To prevent the buildup of grease from your hands and dirt, it is advisable to clean the titanium tube from time to time with alcohol.
VERY IMPORTANT:
To achieve optimal acoustic performance, the black dot and the endpin logo must be placed in the front position.
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Mischa Maisky
Cello soloist
Dear José María,
I am incredibly satisfied and surprised by the discovery of your sound enhancement creations. You have taken a different and brave path with your FASTER innovations and the result is amazing.
Harmonics, volume, quality, ease, response, projection and, in short, a barrage of sound with FASTER Artica Cello endpin and BELTON Grafit & Ellic Cello Stoppers. I’ve never tried anything like it, nothing so overwhelming.
This is renewable energy, don’t miss it on your cello!
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Vadim Repin
Violin soloist
Dear Jose Maria,
I have installed the FASTER Silver – Violin on my Stradivari and it instantly produced an immediate and amazing effect on the instrument. All potential of the violin in my view goes big step up.
Bravo!
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Boris Garlitsky
Concert Master of the London Philharmonic Orchestra, Guest Leader of the London Symphony Orchestra and Orchestra of the Royal Opera Covent Garden, Professor at the Paris Conservatory /CNSMDP/, Folkwang Universität der Künste Essen
Dear Jose Maria, I must say that your FASTER is without a doubt the most amazing violin accessory I have ever owned.
On my violin it makes the sound much broader and more complete. I’ve had a pretty big wolf on the G string. With the Faster it’s completely gone.
I installed the FASTER Silver and adjusted the violin at the same time, and since then the sound of my violin has remained constant and unchanged despite travel and seasonal changes.
Thank you very much and congratulations!
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Jean-Guihen Queyras
Cello soloist
I am amazed by the FASTER Artica cello acoustic endpin!
Full spectrum of sound, impressive edge! Enjoy!.
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Alissa Margulis
Violin soloist
I am very grateful, impressed and unexpectedly surprised to have received my violin G.B. Guadagnini back, after great Luthier Mr. Lozano has done a new set up and introduced to me and my violin his incredible invention, the FASTER.
I couldn’t believe during every day violin playing how much it improved and changed the sound to even fuller, more colorful, projecting sound, giving clearance and making sound production easier.
Truly a miracle!
I only can recommend and wish to all fellow string players to have the luck to experience the same.
The FASTER is truly an unbelievable and visionary invention that will become very popular and perhaps inevitable.
Thank you.
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Giovanni Battista Fabris
Concertmaster - Orchestra del Teatro Carlo Felice. Genova, Italy
Dear José María, with FASTER, you have come up with a marvelous invention that has no adverse effects on the health and sound of the instrument.
There is no physical alteration to the instrument since the setup method entails a conical adaptor that makes it unnecessary to modify the end button. Consequently, there is no reason not to try it.
As regards sound, FASTER can enhance the harmonics of any amplitude because its task is to eliminate any conflict between tones. That brings about a large sound flow that comes quickly out of the violin, thus resulting in a more natural and relaxed manner of playing and the elimination of right-arm frictions.
The lack of conflict during the tone production allows us to reach performing speeds that previously demanded effort, with total clarity. Besides, it softens or eliminates wolf tones.
When playing double stops on the A and E strings, Tartini’s third tones are at all times noticeable, and they rarely are.
The feeling of touching the strings with the bow is more pleasant, and you can put up more weight without disrupting the sound. You can increase bow speed without it slipping, and, likewise, achieve longer steady sounds. When you play chords, as in Bach, low tones keep persistently ringing.
The quality of the sound becomes more beautiful. It might seem brighter, but that is an early impression, it is just more fluent and transparent. Besides, had the violin a nasal sound, FASTER gets to transform it.
Try to play double-harmonic passages, and you will notice apparent ease of performance. I had that same feeling when I borrowed a Guarneri del Gesù for a year.
I forgot something important: you can perceive a good amount of sound in the right ear because the sound projection is such that you can hear it from far away.
Bravo, maestro, for your ingenuity, wisdom, and talent in going into the production and quality of sound.
Much appreciated,
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Asier Polo
Cello soloist - Spain
Since I started to use the FASTER Artica 600 Titanium and Silver cello endpins, I have noticed the sound of my cello more round, noble, and generous. They increase sound projection to a large extent, and also the quality of my instrument. Besides, I feel more comfortable at playing, allowing me to produce a malleable sound.
They are undoubtedly the best endpins I have ever had, and I am sure many cellists will feel the same way when they get one.
I am sure it will be my cello’s best ally for many years to come.
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Enrico Dindo
Cello Soloist & Conductor - Lugano, Switzerland
Dear José María, I have tried the FASTER Artica 600 cello endpin, and I like it very, very much! It is still on my cello!
My sensation is of more sweetness under my left fingers and faster string response under my bow. In the end, more colors, more sound projection.
I will show it to all my students and fellow cellists!
Congratulations, and thank you!
