Licqua Natural Cleaner – Varnish
LICQUA NATURAL CLEANER has been formulated from derivatives of vegetable proteins and active principles that are used in the field of high natural cosmetics. Its balanced and innovative 100% natural formula with Ph. 7 shows excellent compatibility with almost all types of varnishes.
Through the hydrolyzate of vegetable proteins, LICQUA NATURAL CLEANER offers, after its application, a very soft texture that helps to properly deep clean with a light and silky final touch and that protects the varnish from the appearance of microorganisms, helping to prevent its gradual degradation.
LICQUA NATURAL CLEANER is made up of a network of lamellar liquid crystals that facilitate the release of active substances on the varnish, prolonging its conservation, beauty and hydration and leaving a wet effect that gives the varnish greater luminosity.
It has been applied on multiple occasions and with magnificent results on classical instruments such as Stradivari, Guarneri family, Bergonzi, Guadagnini, Ruggeri, S. Serafino, Tecchler, Vuillaume, etc. as well as on modern instruments from different schools.
LICQUA NATURAL CLEANER is packaged in an acrylic airless container to prolong its conservation and is presented in containers of 40ml or 1.35 fl.oz. It is a vegan product and can be applied to the varnish of any kind of musical instrument (violins, cellos, bows, guitars, pianos, etc.). It does not contain ingredients or products of animal origin or tested on animals. No silicone, parabens, abrasives, waxes or petroleum derivatives.
It is biodegradable, antioxidant, antibacterial, antimicrobial and antifungal. Its pleasant and smooth aroma is the result of the synergy of various incorporated active substances.
Taxes / VAT and shiping not included.
APPLICATION INSTRUCTIONS
Apply LICQUA NATURAL CLEANER with the help of a cotton pad exerting light pressure and following circular and longitudinal movements.
Remove the product with a cotton pad and then with a microfiber cloth.
Depending on the degree of dirt, you can repeat the cleaning process as many times as you like.
LICQUA NATURAL CLEANER can be applied as often as desired without damaging the varnish.
PRECAUTIONS
You should check if LICQUA NATURAL CLEANER is compatible with the varnish of your instrument by doing a small test in a hidden area of it.
Do not apply the product on open or poorly closed cracks.
Keep out of the reach of children and pets.
Dispose of the container through the selective collection system set up in your locality.
The improper use of LICQUA NATURAL CLEANER exempts FASTER Sound System from any responsibility.
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Antonio Bossone
Principal violist - Teatro San Carlo. Napoli, Italy
Dear José MarÃa, I wish to share with you the satisfaction I feel to play my Mario Capicchioni viola with the FASTER Titanium on it.
The sound, which was already good before, has utterly improved in quality and power, with many more harmonics. The sound of the instrument has gained bright and timbre sweetness, thanks to the sound range amplitude.
I appreciate your great work very much. My most sincere congratulations!
With affection and admiration.
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Massimo Polidori
Principal cellist - Orchestra del Teatro dalla Scala. Milano, Italy
The FASTER Artica Titanium Cello Endpin, designed and constructed by José MarÃa Lozano, has utterly outstanding features.
My first impression was the ease of sound production (strings vibrate unrestrainedly), and the spectacular sound quality. That is because of a tangible increase in harmonics produced by the cello, which undoubtedly gains volume and brightness in its sound, both in low and high ranges.
Never before had I come across an endpin that could improve the sound parameters of an instrument.
May my testimonial persuade other cellists to acquire one of these magical endpins. I herein thank maestro luthier Lozano, who passionate towards and skillful with nowadays technology, contributes to improving the sound of instruments existing for over three centuries, proving that the past and the future can work in harmony.
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Carmen MarÃa Elena
Cello soloist - Málaga, Spain
Maestro José MarÃa Lozano has got to revolutionize sound with his innovating FASTER system of endpins and stoppers, not just by boosting it up, but also by improving its quality, reaching levels of excellence.
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Ernest Braucher
Principal violist - Orchestra del Teatro Carlo Felice. Genova, Italy
I was introduced to the FASTER world by Giovanni Fabris, the concertmaster of our orchestra. I must say that, as soon as we fitted it to the instrument, I noticed an immediate change. The A string became sweeter, and the C string had a fuller sound. The instrument’s response is generally better in all positions.
However, the FASTER Titanium makes a real difference when you want to play piano and pianissimo because the strings, especially the low ones, go into vibration much easier. All my fellow players who have tried it are just as happy.
Thank you very much for this invention.
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Rafal Jezierski
Principal violist - Orchestra del Teatro Carlo Felice. Genova, Italy
I was introduced to the FASTER world by Giovanni Fabris, the concertmaster of our orchestra. I must say that, as soon as we fitted it to the instrument, I noticed an immediate change. The A string became sweeter, and the C string had a fuller sound. The instrument’s response is generally better in all positions.
However, the FASTER Titanium makes a real difference when you want to play piano and pianissimo because the strings, especially the low ones, go into vibration much easier. All my fellow players who have tried it are just as happy.
Thank you very much for this invention.
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Rafal Jezierski
Coprincipal cellist - Orquestra de la Comunitat Valenciana. Valencia, Spain
Bravo, José MarÃa! I never thought that the FASTER Artica 600 Titanium cello endpin could change, free, and project the sound of a cello to such a large extent.
You made it! Congratulations!
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Antonio Torres
Double bass professor - Córdoba, Spain
It is an outstanding contribution to the world of the double bass. After having tried the FASTER endpins and BELTON stoppers by José MarÃa Lozano in various concert halls and auditoriums, the summing-up cannot be better.
The sound quality improves by optimizing the harmonics as well as their projection. My feeling is that of more comfort at playing, which strengthens my self-confidence.
Congratulations!
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Ander Perrino
Principal double bassist - Deutsches Symphonie-Orchester. Berlin, Germany
Artica 500 Titanium cello endpin by maestro José MarÃa Lozano has increased the resonance and harmonics in my double bass. The sound spreads itself more naturally, and playing feels easier. Bravo!