Licqua Natural Cleaner – Varnish
LICQUA NATURAL CLEANER has been formulated from derivatives of vegetable proteins and active principles that are used in the field of high natural cosmetics. Its balanced and innovative 100% natural formula with Ph. 7 shows excellent compatibility with almost all types of varnishes.
Through the hydrolyzate of vegetable proteins, LICQUA NATURAL CLEANER offers, after its application, a very soft texture that helps to properly deep clean with a light and silky final touch and that protects the varnish from the appearance of microorganisms, helping to prevent its gradual degradation.
LICQUA NATURAL CLEANER is made up of a network of lamellar liquid crystals that facilitate the release of active substances on the varnish, prolonging its conservation, beauty and hydration and leaving a wet effect that gives the varnish greater luminosity.
It has been applied on multiple occasions and with magnificent results on classical instruments such as Stradivari, Guarneri family, Bergonzi, Guadagnini, Ruggeri, S. Serafino, Tecchler, Vuillaume, etc. as well as on modern instruments from different schools.
LICQUA NATURAL CLEANER is packaged in an acrylic airless container to prolong its conservation and is presented in containers of 40ml or 1.35 fl.oz. It is a vegan product and can be applied to the varnish of any kind of musical instrument (violins, cellos, bows, guitars, pianos, etc.). It does not contain ingredients or products of animal origin or tested on animals. No silicone, parabens, abrasives, waxes or petroleum derivatives.
It is biodegradable, antioxidant, antibacterial, antimicrobial and antifungal. Its pleasant and smooth aroma is the result of the synergy of various incorporated active substances.
Taxes / VAT and shipping not included
APPLICATION INSTRUCTIONS
Apply LICQUA NATURAL CLEANER with the help of a cotton pad exerting light pressure and following circular and longitudinal movements.
Remove the product with a cotton pad and then with a microfiber cloth.
Depending on the degree of dirt, you can repeat the cleaning process as many times as you like.
LICQUA NATURAL CLEANER can be applied as often as desired without damaging the varnish.
PRECAUTIONS
You should check if LICQUA NATURAL CLEANER is compatible with the varnish of your instrument by doing a small test in a hidden area of it.
Do not apply the product on open or poorly closed cracks.
Keep out of the reach of children and pets.
Dispose of the container through the selective collection system set up in your locality.
The improper use of LICQUA NATURAL CLEANER exempts FASTER Sound System from any responsibility.
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Alberto Menchen
Concertmaster - Orchestre Philarmonique de Liège & WDR Sinfonieorchester Köln – Germany
I have installed the FASTER Titanium in three violins that date from 1663, 1850, and 2012. Thanks to this great invention, the sound qualities have improved in all of these instruments.
FASTER inspires me and helps me do more with less.
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Linus Roth.
Violin soloist – Germany
Dear José María, thank you for the FASTER Titanium for my Stradivari violin.
It is a cool invention!
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Helena Poggio
Cello soloist - Quiroga Quartet - Professor of Chamber Music of the Royal Superior Conservatory of Music in Madrid
I am delighted with my new FASTER Artica titanium cello endpin and with the Belton Grafit cello end pin stopper. I feel how the vibrations of my instrument have increased in contact with my body, with the ground and around it. The harmonics have increased notably and my cello has a greater projection without losing its usual warmth, transmitting a round, clean and enveloping sound.
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Paçalin Zef Pavaci
Guest Concertmaster Philharmonia Orchestra – London. Concertmaster Teatro Real – Madrid., Maggio Musicale Fiorentino, Orquesta Nacional of Spain, Liceu – Barcelona, Guest Profesor Showa University – Tokio, San Carlo – Napoli, etc.
Dear friends and colleagues,
The first time they told me about Master Lozano’s FASTER Titanium, I was quite skeptical and incredulous. Now it is installed on two of my violins, one old and one modern. The change with the FASTER has been incredible with no less than 30% sound, projection, harmonics, tonal richness, and great playability.
José María I’m super happy with your genius . Thank you, thank you, thank you!.
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Roberto Mazzola
Violin teacher at the Integral Institute of Cogoleto - Liguria - Italy Violinist of the Symphony Orchestra of the Carlo Felice Theater in Genoa – Italy
Dear Maestro, I wanted to tell you that Professor Fabbris had already put the Faster on my “Augusto Pollastri” from 1925 with excellent results!
Then after I had my Cremona luthier do the work of closing and reopening the button hole (because it was too big), he finally inserted the Faster into my second instrument as well (a 1917 “Serafino Casini” published in the book “La Grande Liuteria Italiana” by A.Versari), obtaining a much more homogeneous and powerful sound for this instrument too!
Thank you again for your wonderful invention and for your great work.
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Ana Maria Valderrama
Violin soloist – Madrid – Spain
I have been pleasantly surprised by the FASTER Silver. My violin sounds clearly cleaner and rounder, and I find it much easier to play. I can achieve the same effects as before with much less effort, and it helps me find greater sonic freedom. In addition, the harmonics sound clearer, which translates into greater projection. A great discovery!
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Mirka Scepanovic
Violin soloist – Concertmaster of the Sinfonietta Basel and Camerata Variabile (Basel). Artistic and Musical Director of the National Orchestra of Montenegro.
My first meeting with Mr. Jose Maria Lozano was a unique experience in the best possible way. He opened me the door to the world of new sound options and I believe this is only the first step in the search for an amazing sound quality.
I can only recommend his FASTER Sound Systems for violin, so please try it and let yourself begin a new journey with your instrument. Sincerely,
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Silvina Álvarez
Principal violist – Orquesta Nacional de España - Madrid
My experience with the Viola FASTER Titanium is always highly satisfactory.
I consider that the gain in resonance, in tone, in volume, harmonics and consistency in the sound, makes it an absolutely innovative accessory and to take into account when setting up an instrument, of course by the hand of a master luthier of the quality of José María Lozano.
