I have long been using Maestro Lozano’s FASTER and BELTON models, as well as some other of his acoustics-related creations. I must admit that my cello’s performance has exponentially improved, both in concert halls as a soloist with orchestra and chamber music.
The audience is sure to perceive an increase in the volume, projection, and richness of the sound, and, at the same time, the sound response the musician gets will help him feel at ease in any venue.
For me, these have indeed been a great find that accompanies me in all my concerts and makes a quick adaptation to constant weather and acoustic changes on tour easier.
Without hesitation, I recommend these astounding acoustic systems anywhere I go.